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“Amen!” “It’s only your notion, Billy, that mother’s cream is best; but I’ve been very happy making it for you.” She began at once to serve it. Some of the voices were cracked and others badly out of tune. Moses Wopp’s voice, loudest of all, sounded like a foghorn and the windows fairly rattled in their frames. Nell motioned him to her desk. She thought by occupying his attention elsewhere the music lesson might proceed with more melody and less noise. Moses had developed his stentorian tones at home, by the lusty singing of Hallelujah hymns under the strict supervision of his mother..
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“Oh, Billy, Billy! My beautiful opera is ruined!” Edith wailed, as she heard the jeers of the small boys in the audience.I tried logging in using my phone number and I
was supposed to get a verification code text,but didn't
get it. I clicked resend a couple time, tried the "call
me instead" option twice but didn't get a call
either. the trouble shooting had no info on if the call
me instead fails.There was
CHAPTER XVI THE BRIDGE TO SAFETY
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Conrad
Mrs. Wopp had a request from Mrs. Williams. She, the requestor, was ill with a touch of “pewmonia,” as Mrs. Wopp afterward related, and would Mrs. Wopp the requestee oblige by taking her Sunday-school class for the following Sunday afternoon. “I want Howard Eliot,” she cried, “he can sing so lovely, an’ I want Miss Gordon, she’s so comfortin’.” “Don’t care a doughnut,” answered Moses defiantly, “I’d ruther turn the washin’ machine any day than stand like a goose spellin’ words any arss can spell.” “Don’t sit there wool-gatherin’ anyways, Mose, or the moths’ll nest in yer head. Ef you carn’t sing in toon, you kin bring up a cup of tea fer Miss Gordon an’ Mr. Eliot, an’ don’t fergit Betty an’ yer Mar.”.
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